Liyuan Theater Address

Qianmen jianguo hotel ,175 Yongan Road, Xuan Wu District, Beijing

北京市宣武区永安路175号前门建国饭店

Getting Liyuan Theater

By Bus

there are the following direct buses: 7, 14, 15, 23, 66, 70, 102, 105, 603 (Get off at: Hu Fang Qiao Lu Kou Nan) and 6, 15, 105, 687 (Get off at: Yong An Lu).

乘6路、15路、105路或 687路到永安路站下车。

 

By Subway

Hepingmen station on line 2 subway

Hepingmen station 2km away from liyuan theatre 。you can take a taxi or walk.

The walk from Hepingmen station is easy. The South Xinhua Street is filled with little artistic shops, restaurants and music instrument shops.

 

Subway Line 4 Caishikou Station with in 5 minutes taxi or walking along the street Luomashi Hu Fanglu eastbound to southbound after that to Yong'an Road, about 1.3 km.

see map

 

1.地铁2号线和平门站下打车8分钟内到。

2.地铁4号线菜市口站下车打车5分钟内到或步行沿骡马市大街东行到虎坊路后南行至永安路即到,大约1.3公里。


Liyuan Theater show time

Every day

19:30-20:45

 

 

 

 

 

 

 

 

 

 

 

 

 

General Introduction of Beijing Opera

 

 

Beijing Opera, also called "Eastern Opera," is a principle tradition in Chinese culture. It is called Beijing Opera because it is formed in Beijing.

Beijing Opera has a history of 200 years in which its fountainhead can be dated back to old local operas, especially Anhui Opera, which was very popular in northern China in the 18th century. In 1790, the first Anhui Opera performance was held in Beijing to celebrate the Emperor's birthday. Later, some other Anhui Opera troupes went on to perform in Beijing. Anhui Opera was easy to move and good at absorbing the acting styles of other types of operas. Beijing accumulated many local operas, which made Anhui Opera improve quickly.

At the end of the 19th century and the beginning of the 20th century, after merging for 10 years, Beijing Opera finally formed, and became the biggest of all operas in China.

Beijing Opera has a rich list of plays, artists, troupes, audiences, and wide influences, making it the foremost opera in China.

Beijing Opera is a comprehensive acting art. It blends singing, reading, acting, fighting, and dancing together by using acting methods to narrate stories and depict characters. The roles in Beijing Opera include the male, female, painted-face, and comedic roles. Besides, there are other supporting roles as well. In addition, the types of facial make-up, especially concerning the color, are the most particular art in Beijing Opera, because they can symbolize the personalities, characteristics, and fates of the roles.

It is widely acknowledged that the end of the 18th century was the most flourishing period in the development of Beijing Opera. During this time, there were lots of performances not only in folk places, but also in the palace. The noble class loved Beijing Opera; the superior elements in the palace played a positive role in the performances, make-up, and stage setting. The mutual influence between palace and non-government places promoted Beijing Opera's development.

From the 1920's to the 1940's of last century was the second flourishing period of Beijing Opera. The symbol of this period was the emergence of lots of sects of the opera. The four most famous were "Mei" (Mei Lanfang 1884-1961), "Shang" (Shang Xiaoyun 1900-1976), "Cheng" (Cheng Yanqiu 1904-1958), and "Xun" (Xun Huisheng 1900-1968). Every sect had its groups of actors and actresses. Furthermore, they were extremely active on the stage in Beijing, Shanghai, and so on. The art of Beijing Opera was very popular at that time.

Mei Lanfang was one of the most prominent Beijing Opera artists in the international world. He studied opera when he was 8, and began to perform on the stage when he was 11. In his more than 50 years of performing, Mei created and developed many acting phases, such as dancing, singing, make-up, and costumes, all of which helped him form his own style. In 1919, Mei led the opera troupe to Japan, which was the first time that China began to spread the art of Beijing opera overseas. In 1930, Mei Lanfang led a troupe to the United States and gained great success and significant recognition. In 1934, he was invited to visit Europe, and was given much attention by the European opera world. Later, other places in the world considered Beijing Opera as the performing sect of China.

After the reform and opening-up policy, Beijing Opera had new development. Especially as the traditional quintessence of China, Beijing Opera got great support from the government. Today, the Beijing Chang'an Opera House holds international competitions every year that attract many people from various countries. Beijing Opera is also the reserved program for the communication between Chinese and many foreign cultures.

 

Liyuan Theater Beijing Opera       Beijing Opera Theatre

 

2013年8月13日

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 


 

English Hotline:  (86)150 0119 2179

Chinese Hotline:  (86)189 103 77336

Email Book Tickets:  xiaomaqiang@hotmail.com

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